Chimera (soft box) - A cloth frame that attaches to a hard light and turns it into diffused light.It shapes and focuses the direction of the light. Barn Doors - A metal frame with metal flaps that attaches to the head.Each size of fresnel has a different nickname. Fresnel - Pronounced “fruh-NELL,” this is a hard-lensed light that comes in different sizes.Stingers - Extension cords (Practice wrapping them correctly).Butterfly - A large sheet of fabric used to diffuse a wide area of light.Screens (single, double) - Mesh on a metal frame used to cut the intensity of light without blocking it out.Flags - Black, light-absorbing cloth (duvetine) stretched on a metal frame and used to block out areas of light in all different sizes.HMI - A powerful hard light that can be used in place of sunlight.Kino Flo - A bank of fluorescent bulbs used for soft light.Cucoloris (“cookie”) - A type of flag with shapes cut into it that creates the look of tree branches, window shades, etc.These hold gels to lights, lights to walls, and diffusion to whatever it takes. Everything from C-47s to Cardellinis and beyond. Clamps - There are all different kinds of clamps you’ll use on set.C-Stand (Century stand) - This sturdy light stand has three different legs that can be adjusted to accommodate steps a long metal “arm,” and a round clamping head called a gobo. But a good one to know ahead of time is that a “head” (as in “head cart”) means the lamp itself. One thing to note is that there is a lot of slang specific to set life that you’ll pick up as you go along. If you’re unfamiliar with some of these, a quick image search will help. The following list is what you can expect to find in even a small Film Grip equipment list that might be rented for a low-budget show. You should also pick up a strong belt that allows you to carry your entire Film Grip tool kit like the one pictured below. You’ll want a well-fitting pair of leather Film Grip gloves that both enhance your grip and protect you from injury. FILM GRIP SET LIFE Know your Film Grip equipment listĪny Film Grip equipment list starts with protecting your hands. So, let’s look at the gear you’ll be using the most. It helps to know some of the basics of the job before you get to the set. Now that we've covered "what does a Grip do," let's talk more specifically about the essential Film Grip tools and equipment. They should also have good arch support to minimize strain on your back and joints. You’re going to be on your feet about 90% of the day, so your work shoes need to be sturdy but lightweight. It might sound strange, but good shoes go a long way toward keeping up your energy over a long shooting schedule. To maintain your energy and stamina, the first thing you’ll want to do is invest in is some good shoes. Once you’re done with everything on the shot list for that scene, you’ll either strike (take down) that setup or head straight to the next one, depending on the size of the crew and/or the day’s shooting schedule. But don’t get so comfortable that you won’t be able to get right back up again. When you do get the chance to sit down for a moment, take it. It just means you need to be ready to jump in and make adjustments as soon as they might be asked for. After the Key and the Gaffer sign off on the first scene, you’ll either start prepping the next scene (if it’s not on the same set) or they’ll tell you to just stand by. And if you see a Production Assistant (PA), don’t be afraid to ask for water. Side note: Unless it’s a super low-budget project, most of the time the show will provide breakfast for call times before 6:00 am, especially if you’re on a remote location.ĭuring the shoot day, make sure you stay hydrated and pocket some healthy snacks from Craft Services like protein bars or trail mix. You’ll want to make sure you’ve eaten a light, but satisfying breakfast, even if you’re not that hungry. As part of a Film Grip crew, you’ll start the day at the truck, loading out the gear needed for the first setup.
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